Imagine that you compose a musical work for a long time and effort and publish it. When you die, a thunder comes, substantially changes your work and presents it as the original. The thousands of changes, decisions and iterations of an author are indelible and manifest in the author's published work. And the original must be preserved forever and is called "primary source" in academic circles. There is the possibility of making editions, clearly differentiated from the original and with the editor's name on the cover and the reasons for the existence of the version explained. But these pillows have tried to be "co-authors" in the shadow. We know the reasons why Jayadvaita and his sequences have done this. And we will tell them.